Upon purchase, you will be provided with an accessĬode and a link to Hal Leonard's MyLibrary site, where you can view your digitalīook along with supplemental audio or video where applicable. Hal Leonard Digital Books are cloud-based publications, which are streamingĪnd require internet access. Who Can I Turn to (When Nobody Needs Me).Song from M*A*S*H (Suicide Is Painless).(From my dissertation.The ultimate collection for jazz keyboardists to learn 40 Evans classics with exact note-for-note transcriptions. The saxophone choruses, including the trading. Sonny Stitt/Sonny Rollins The Eternal Triangle (concert pitch) The Eternal Triangle (for Bb instruments)įrom Sonny Side Up (1958). Monk's solo, from Thelonious in Action (1958). One of my favorite solo Monk recordings, from Solo Monk (1965). A full transcription of Monk's solo introduction and the ensemble head only. Evidence (intro/head only)įrom the 1958 recording Thelonious in Action, with Johnny Griffin (ts), Ahmed Abdul-Malik (bs), and Roy Haynes (ds). All parts included (tenor sax notated in concert pitch, but in treble clef). released Columbia CL 2038), with Charlie Rouse (ts), John Ore (bs), and Frankie Dunlop (ds). Crepuscule with Nellie (full ensemble)įrom the 1962 recording Criss-Cross (orig. Wilbur Ware (bs), Art Blakey (ds) also on the recording are Ray Copeland (tpt), Gigi Gryce (as), Coleman Hawkins and John Coltrane (ts). This transcription is just the first chorus with the rhythm section. Monk's first recording of this tune, from the 1957 album Monk’s Music. They should be pretty accurate, but you really have to listen to the album to get Brad's phrasing/rhythm, especially on “Goodbye Storyteller.” Thelonious Monk Crepuscule with Nellie (first chorus only) Three tunes, all from Brad's first solo album, Elegiac Cycle (1999). Brad Mehldau Bard Goodbye Storyteller (for Fred Myrow) The Bard Returns McNeely goes through about 20 different keys in this 5-minute track. Jim McNeely There Will Never Be Another Youįrom McNeely at Maybeck, a solo recital from 1992. Rahsaan Roland Kirk Blues for Alice (concert pitch) Blues for Alice (for Bb instruments)įrom We Free Kings (1961) contains Kirk's solos on both tenor and soprano saxes (and both at the same time!). Joe Henderson Isotope (concert pitch) Isotope (for Bb instruments)įrom Inner Urge (1965). (See below for Monk's solo from the same take.) Transcription of Bill Evan's piano solo on Autumn Leaves. Available by online download in several formats: PDF, MIDI, XML, SIB, MUS etc. Johnny Griffin Rhythm-a-ning (concert pitch) Rhythm-a-ning (for Bb instruments)įrom Thelonious in Action (1958). The piano transcription Autumn Leaves of Bill Evans is for left and right hand, note-for-note. Bill Evans All the Things You Areįrom the 1963 recording Solo Sessions, Vol. The transcription contains only the piano and bass parts. Prelude to a Kiss (piano trio)įrom the 1953 piano trio album Piano Reflections with Wendell Marshall (bs) and Dave Black (ds). This is not a part-for-part transcription, but every note on the recording is there, and gives a good idea of Duke’s orchestration and voicing. Duke Ellington Prelude to a Kiss (ensemble)įrom the 1938 big band album Braggin’ in Brass. The head, and includes George Coleman on tenor, Hilton Ruiz on piano, and George Coleman Lo Joe (head only, ensemble)įrom Amsterdam After Dark (1979). Gene Ammons/Sonny Stitt Autumn Leaves (concert pitch) Autumn Leaves (for Bb instruments)įrom Boss Tenors (1961) contains both Ammons's and Stitt's solos.
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